Showing posts with label 1920's. Show all posts
Showing posts with label 1920's. Show all posts
Thursday, November 7, 2013
Shoes - Almost Done!!!
What have I done so far? I painted 8 coats of silver on the body of the shoe, two coats of black on the toe and top heel, two coats of black points on the heels, 3 coats of silver on the heels, a sealer coat of matte seal, and glued on rhinestones to the heel. I need to go out and get more rhinestones tomorrow (I grossly underestimated how many I'd need) but in all I'm pretty excited about the result! Come see them at the KC party Friday at PhilCon!
Saturday, November 2, 2013
Shoes!
This week I decided to use American Duchess' Paint your Shoes tutorial to make my 23 Skidoos Silver and Black with rhinestoney heels. In this picture I've got a layer of silver painted on, and after 2 days I've been able to add 6 more silver layers on top of that. Soon I'll be able to start the black and the blinging!
I think I'm going to try and copy the first heel on the left top on this picture:
I think I'm going to try and copy the first heel on the left top on this picture:
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| KCI, 1925, stolen from American Duchess' tutorial linked above |
Wednesday, November 7, 2012
American Duchess Shoes
American Duchess is at it again . . . this time with 1920's shoes!
The sophisticated "23Skidoos" are perfectly styled for any of your Great Gatsby picnics, Downton Abbey teas, or wild Boardwalk Empire nights out. Available in classic brown/white or white/white spectator, the Skidoos are an exclusive designer shoe with all the hallmarks of Deco-era footwear - French heels, t-straps, wingtip styling, and a perfectly-shaped toe (not too round, and not too pointy).
The sophisticated "23Skidoos" are perfectly styled for any of your Great Gatsby picnics, Downton Abbey teas, or wild Boardwalk Empire nights out. Available in classic brown/white or white/white spectator, the Skidoos are an exclusive designer shoe with all the hallmarks of Deco-era footwear - French heels, t-straps, wingtip styling, and a perfectly-shaped toe (not too round, and not too pointy).
The 23 Skidoo shoes are available for pre-order now, and they're perfect for your KC in 2016 party!!! Come get a pair!
Tuesday, June 5, 2012
Monday Progress Update: June 4
Another Monday Progress Update post on a Tuesday. This time it's due to Dress U. I'll have a long review post up soon, but here's what I've been up to otherwise:
I finished putting all the buttons on my Regency gown! I think I made the back quite too high because it needed 14 buttons. I had to sew them on at Dress U because I had to go to two different stores to get them all.
I also finally got a picture of my 1920's party dress!
Here's what's on my dress form now: I'm going back to working on the Bizenghast Lake Dress for WorldCon!
I've been doing some watercolor trim painting samples for it, I'm still deciding if I'll do the trim in watercolor, paint, or some combination.
Also have been on quite a shopping spree lately, due to inspiration from all the lovely people I've been seeing at events the last few weeks! I've got a lovely green check wool, a brown check, a cream wool suiting, a teal wool crepe, a blue/gold taffeta, a red/gold with red stripes, white organdy, blue and blue-green sequins, and a neat metal piece!
I finished putting all the buttons on my Regency gown! I think I made the back quite too high because it needed 14 buttons. I had to sew them on at Dress U because I had to go to two different stores to get them all.
I also finally got a picture of my 1920's party dress!
Here's what's on my dress form now: I'm going back to working on the Bizenghast Lake Dress for WorldCon!
I've been doing some watercolor trim painting samples for it, I'm still deciding if I'll do the trim in watercolor, paint, or some combination.
Also have been on quite a shopping spree lately, due to inspiration from all the lovely people I've been seeing at events the last few weeks! I've got a lovely green check wool, a brown check, a cream wool suiting, a teal wool crepe, a blue/gold taffeta, a red/gold with red stripes, white organdy, blue and blue-green sequins, and a neat metal piece!
Wednesday, December 28, 2011
1920's Hats
Men's hats were practically required for life in 1920's Kansas City. Even President Truman got his start after WWI by opening a haberdashery in Kansas City. Fortunately for us, the major players in Kansas City got plenty of pictures taken in their hats so we can figure out the three major kinds of hats in play in Kansas City's elite and who was wearing what.

This is the hat that everyone thinks about when they see gangsters. However, in 1920's Kansas City it was the hat of the middle class worker. Men downtown tended to wear Fedoras as part of their daily dress:

(also note the lower class workers in their preferred flat caps [nowadays called newsboy caps])
Fedoras have a large flat brim and a domed, bowler-like crown that is often folded, pinched, and shaped. The common crown is folded in half front-to-back and then has two circular pinches on the front half. The front brim can also be tilted downward and the back tilted up in the traditional "Noir Private Investigator" or "Indiana Jones" configuration. However, in the 20's hats were bought as blanks (they didn't come standard with the crease already set until the 50's), and men either shaped the hat themselves or had their haberdasher shape it according to their preference, so you can find pictures of fedoras with no fold or no pinches:

(note the two men just left of center, their fedoras have a very shallow fold and no pinches)
I'm not certain, though, that variations were popular in Kansas City. In the above photo the man holding the newspaper on the left is comedian Ben Birney on a visit to Kansas City. The man on the right holding the newspaper is Mayor Bryce Smith, wearing a Fedora more like we see in other Kansas City photographs. However, the biggest Fedora wearer we are concerned with is Tom Pendergrast and his gang of friends:


Tom loved his Fedoras. The fashion also spread to his close friends, as can be seen in the second picture. These make it pretty clear that if you're looking to accurately portray a member of the Pendergrast's business network you want to get an accurate Fedora. Here are some great modern ones:

And some not so good ones:

Although this hat is marketed as a Fedora, the brim is too small and the turn up in the back is too sharp.

This kind of hat could be problematic. I couldn't find any Fedora pictures from the 20's that had the folded crown shaped with an upward curve like this. For example take this picture of the top of Truman's hat:

The crown is obviously folded, not shaped. I think the heavily shaped crown is a more modern variation, but I can't prove it right now, so use caution.

Very similar to a Fedora, a Homburg has a brim that curls up all around instead of lying flat. It's crown can also have the shape variations that a Fedora has, so the curling brim is really the big marker. If the Fedora is the hat of the businessman, then the Homburg is the hat of the politician. President Truman loved his Homburgs. He started wearing them during his local political career in Kansas City in the 20's, and continued through his Presidency in the 50's:



Also, in the crown example picture above his hat is a Homburg, not a Fedora. Note how the crowns are shaped the same.
So, if you want to portray a political crony in Kansas City the Homburg would be the hat of choice. It's actually pretty easy to find Homburgs in modern hat shops. Usually, though, they're listed as Fedoras, so shop around. Here are some modern examples:



I've found a few examples of PorkPie hats as well. The Porkpie is a boater-like hat with a Fedora-like or Homburg-like brim and a short, 3-4" crown with a flat top. When worn, the shortness of the crown means that the flat top can take on a slightly domed shape as the top of the head pushes it upwards. I'm not sure where to place it in Kansas City's societies, though.

Truman wearing a PorkPie.

The man on the far left standing next to Tom Pendergrast is holding a PorkPie.

A young man in this Kansas City crime scene photo is wearing a PorkPie. It is hard to tell, though, if he is an investigator or a criminal, or just an innocent worker in the business.
There are also some more famous people from the 10's, 20's, and 30's who wore PorkPies:

Buster Keaton's PorkPie is famous and a hallmark of his silent film characters. Some PorkPie wearers could be looking to emulate film stars such as Keaton.

Lester Young loved his PorkPie so much he wrote a song about it in the 50's. Like Young, many Jazz musicians embraced the PorkPie, and it also became a signifier for Jazz music and culture.
There is one other person famous for wearing a PorkPie, even though it is after the time period at hand. Robert Oppenheimer, an American scientist known as the father of the Atomic Bomb, was also a dedicated PorkPie wearer:

The good news, though, is that there are a variety of hats for men to wear at KC in 2016 bid parties. I hope to see lots of hats at cons in the coming years!
The Fedora

This is the hat that everyone thinks about when they see gangsters. However, in 1920's Kansas City it was the hat of the middle class worker. Men downtown tended to wear Fedoras as part of their daily dress:
(also note the lower class workers in their preferred flat caps [nowadays called newsboy caps])
Fedoras have a large flat brim and a domed, bowler-like crown that is often folded, pinched, and shaped. The common crown is folded in half front-to-back and then has two circular pinches on the front half. The front brim can also be tilted downward and the back tilted up in the traditional "Noir Private Investigator" or "Indiana Jones" configuration. However, in the 20's hats were bought as blanks (they didn't come standard with the crease already set until the 50's), and men either shaped the hat themselves or had their haberdasher shape it according to their preference, so you can find pictures of fedoras with no fold or no pinches:

(note the two men just left of center, their fedoras have a very shallow fold and no pinches)
I'm not certain, though, that variations were popular in Kansas City. In the above photo the man holding the newspaper on the left is comedian Ben Birney on a visit to Kansas City. The man on the right holding the newspaper is Mayor Bryce Smith, wearing a Fedora more like we see in other Kansas City photographs. However, the biggest Fedora wearer we are concerned with is Tom Pendergrast and his gang of friends:
Tom loved his Fedoras. The fashion also spread to his close friends, as can be seen in the second picture. These make it pretty clear that if you're looking to accurately portray a member of the Pendergrast's business network you want to get an accurate Fedora. Here are some great modern ones:

And some not so good ones:

Although this hat is marketed as a Fedora, the brim is too small and the turn up in the back is too sharp.

This kind of hat could be problematic. I couldn't find any Fedora pictures from the 20's that had the folded crown shaped with an upward curve like this. For example take this picture of the top of Truman's hat:

The crown is obviously folded, not shaped. I think the heavily shaped crown is a more modern variation, but I can't prove it right now, so use caution.
The Homburg

Very similar to a Fedora, a Homburg has a brim that curls up all around instead of lying flat. It's crown can also have the shape variations that a Fedora has, so the curling brim is really the big marker. If the Fedora is the hat of the businessman, then the Homburg is the hat of the politician. President Truman loved his Homburgs. He started wearing them during his local political career in Kansas City in the 20's, and continued through his Presidency in the 50's:



Also, in the crown example picture above his hat is a Homburg, not a Fedora. Note how the crowns are shaped the same.
So, if you want to portray a political crony in Kansas City the Homburg would be the hat of choice. It's actually pretty easy to find Homburgs in modern hat shops. Usually, though, they're listed as Fedoras, so shop around. Here are some modern examples:

The PorkPie

I've found a few examples of PorkPie hats as well. The Porkpie is a boater-like hat with a Fedora-like or Homburg-like brim and a short, 3-4" crown with a flat top. When worn, the shortness of the crown means that the flat top can take on a slightly domed shape as the top of the head pushes it upwards. I'm not sure where to place it in Kansas City's societies, though.

Truman wearing a PorkPie.

The man on the far left standing next to Tom Pendergrast is holding a PorkPie.

A young man in this Kansas City crime scene photo is wearing a PorkPie. It is hard to tell, though, if he is an investigator or a criminal, or just an innocent worker in the business.
There are also some more famous people from the 10's, 20's, and 30's who wore PorkPies:

Buster Keaton's PorkPie is famous and a hallmark of his silent film characters. Some PorkPie wearers could be looking to emulate film stars such as Keaton.

Lester Young loved his PorkPie so much he wrote a song about it in the 50's. Like Young, many Jazz musicians embraced the PorkPie, and it also became a signifier for Jazz music and culture.
There is one other person famous for wearing a PorkPie, even though it is after the time period at hand. Robert Oppenheimer, an American scientist known as the father of the Atomic Bomb, was also a dedicated PorkPie wearer:

The good news, though, is that there are a variety of hats for men to wear at KC in 2016 bid parties. I hope to see lots of hats at cons in the coming years!
More 1920's Inspirations and Resources
Yet again more 20's stuff I'm collecting for the Kansas City WorldCon bid. There's some great stuff out right now:
The Great Gatsby Movie by Baz Luhrmann (costumes by Catherine Martin, she of the Moulin Rouge Oscar) has released the first set pics. Looks luxe and wonderful! Due out about this time next year.
Gucci's 2012 Spring Collection has a lot of 20's in it too. That cocktail dress is not only a 20's cut, but has art deco beading covering it. Yum!
This dress for Temperley London's 2012 pre-fall (read: summer) collection looks very twenties in cut as well, and also has the geometric sequin patterns.
Fashionizing has noticed the trend as well, and has a much more complete look at 2012 collections that have 1920's looks.
Finally, a good makeup tutorial:
How to Be a Girl, with Jane Marie: Flapper Style from Rookie on Vimeo.
I'm also keeping a 1920's fashion pinboard on Pinterest if you're looking for inspiration from the real thing.
Next up: 20's hats for guys.
The Great Gatsby Movie by Baz Luhrmann (costumes by Catherine Martin, she of the Moulin Rouge Oscar) has released the first set pics. Looks luxe and wonderful! Due out about this time next year.
Gucci's 2012 Spring Collection has a lot of 20's in it too. That cocktail dress is not only a 20's cut, but has art deco beading covering it. Yum!
This dress for Temperley London's 2012 pre-fall (read: summer) collection looks very twenties in cut as well, and also has the geometric sequin patterns.
Fashionizing has noticed the trend as well, and has a much more complete look at 2012 collections that have 1920's looks.
Finally, a good makeup tutorial:
How to Be a Girl, with Jane Marie: Flapper Style from Rookie on Vimeo.
I'm also keeping a 1920's fashion pinboard on Pinterest if you're looking for inspiration from the real thing.
Next up: 20's hats for guys.
Thursday, August 11, 2011
20's Headband Tutorial
In honor of the not-yet-official Kansas City in 2016 WorldCon bid there will be a 20's Superhero ~themed party at Renovation. Want to get in on the fun? You still have time to make an easy flapper headband to wear to the party!
Supplies:

stretchy sequin headband
sequined applique
feathers
barrette
hot glue
I purchased the headbands at Claire's ($7 for 2 iirc?) and the rest of the supplies at JoAnn Fabrics.

First you need your applique and feathers. I'm starting with the smaller ones.

Run a line of hot glue down the top of the applique and add a row of feathers.

Once feathers are down press them into the glue and add another line of hot glue on top to hold them down.

I like to use an old pin to press the feathers into the glue without burning myself or getting glue all over my fingers.

Added a second row of feathers to fill things out.

View from the front. Nice, but a little boxy, so we're going to break it up some.

These are the spiky feathers I'm going to add next as a third row in the same way I did the first two.

See how that breaks things up?

Next we want to attach it to the headband. To be honest, though, I'm not sure I'll always want to wear this with a headband, so I'm going to attach a barrette I can use to clip the applique to the headband with. Be sure and check the directionality of your applique before you attach the barrette so it's not crazy crooked. Attaching it is easy, just apply a liberal amount of hot glue to the barrette and press it in to the applique.

To attach the applique to the headband find the join in the headband (if we're covering up some of the headband it might as well be the join) and work the barrette into the knit of the elastics under the sequins. (I'm using a bare barrette so you can better see what I'm doing).

Barrette from the back.

And finished! Me modeling my pretty headband!
This project total took me 10 minutes. If you want to make it even faster or easier here are some things you can do:

Substitute a pre-made feather pad for individual feathers. You can find these at JoAnn's or craft stores next to the feathers, and for about the same price. Just hot-glue it on to the applique.

Even easier? Buy a pre-made barrette. These are both from Claire's.

Just clip them in and go? The bonus: Claire's has a sale (I think it's a permanent thing, but check to make sure) on their hair accessories that's buy-one-get-one-50%, so you can get your headband and a barrette and save!
Supplies:

stretchy sequin headband
sequined applique
feathers
barrette
hot glue
I purchased the headbands at Claire's ($7 for 2 iirc?) and the rest of the supplies at JoAnn Fabrics.

First you need your applique and feathers. I'm starting with the smaller ones.

Run a line of hot glue down the top of the applique and add a row of feathers.

Once feathers are down press them into the glue and add another line of hot glue on top to hold them down.

I like to use an old pin to press the feathers into the glue without burning myself or getting glue all over my fingers.

Added a second row of feathers to fill things out.

View from the front. Nice, but a little boxy, so we're going to break it up some.

These are the spiky feathers I'm going to add next as a third row in the same way I did the first two.

See how that breaks things up?

Next we want to attach it to the headband. To be honest, though, I'm not sure I'll always want to wear this with a headband, so I'm going to attach a barrette I can use to clip the applique to the headband with. Be sure and check the directionality of your applique before you attach the barrette so it's not crazy crooked. Attaching it is easy, just apply a liberal amount of hot glue to the barrette and press it in to the applique.

To attach the applique to the headband find the join in the headband (if we're covering up some of the headband it might as well be the join) and work the barrette into the knit of the elastics under the sequins. (I'm using a bare barrette so you can better see what I'm doing).

Barrette from the back.

And finished! Me modeling my pretty headband!
This project total took me 10 minutes. If you want to make it even faster or easier here are some things you can do:

Substitute a pre-made feather pad for individual feathers. You can find these at JoAnn's or craft stores next to the feathers, and for about the same price. Just hot-glue it on to the applique.

Even easier? Buy a pre-made barrette. These are both from Claire's.

Just clip them in and go? The bonus: Claire's has a sale (I think it's a permanent thing, but check to make sure) on their hair accessories that's buy-one-get-one-50%, so you can get your headband and a barrette and save!
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